“I want to try to accomplish myself attending like a doll. Like one of these awful ceramics ones,” says Glasgow, Scotland–based totally artisan Sgàire Wood. As we altercate her claimed aesthetic, she pinpoints the time-honored affection as “very affected I suppose—form of like that area aback Drew Barrymore clothes up E.T. However like, if that was set within the Edwardian era.” Anticipate huge: Big eyes, massive lips, large clothes. From Wood’s perspective, the bigger the matters that beleaguer you, the hamper and brought artless you seem. This accomplishment for growing corrective seems that are both “hyperreal” and “wistfully cornball for the impede infant-powder-scented chastity of early life” has caused collaborations with columnist Tim Walker, artist Dilara Findikoglu, and alike a unintended airing bottomward the Vetements runway.
After Wood’s alienated band of kick back-goth structure at an all-boys academy in Northern Ireland, she suggested look and bolt afore affective into added transformative seems, advertent annoyance achievement as a new inventive outlet, and award afflatus at the internet. “It’s certainly allotment of the anomalous millennial acquaintance to acquisition your school of person and popularity on line,” Woods notes. Beauty account are typically pulled from illustrations of faces, cartoons, and the arrival corrective assimilate dolls. “I’m in reality competitive with the aid of the bond amid truth and artifice embodied in dolls and mannequins and automatons, I anticipate that’s a cilia that runs thru quality of the things I’m fatigued to,” says Wood. “Not alone the make-up, but additionally the way I get dressed is to affectionate of self-infantilize,” she shares. “I expect I’m afflictive with the sexualization of my anatomy because to be animal is to be gendered. The desexualized babydoll is integrated out of that.” Her claimed soundtrack of “glad, hardcore techno remixes of Enya, Sinéad O’Connor, or Sarah McLachlan” speaks to addition perspective of her aesthetic, “a postmodern apology of itself.”
After affairs her purple beard aback to set off the corrective metamorphosis, a honest adumbration of Fenty Pro-Filt’r Soft Matte Longwear Foundation creates a base. “It’s truly proper for creating a groovy matte, about arenaceous obvious to frame on, such as you’re portray a ceramics doll,” she explains. “Also, already it units, it affectionate of lasts all night.” Mapping abstract look assimilate her face corporation utility eyeshadows like watercolors. “You can mix colorings on the aback of your fingers, and already it dries, it has appealing perfect blockage energy, alike if it’s good deal or low-exceptional eyeshadow,” she credibility out. Shaved eyebrows accommodate a past canvas to conform and extend appearance as wished. Lining the eyes with atramentous liner, Woods draws a blubbery lower binding of lashes that hovers over her cheekbones. Kat Von D Tattoo Eyeliner and Jeffree Star aqueous lipstick in Drug Lord (which mimics the whites of the eyes) accommodate budge-proof detailing. Wood’s accustomed aperture is genuinely blanketed with brought foundation afore an aureate set of aperture are redrawn with creases and lines. The iris of anniversary hand-painted eye is accustomed a starry spotlight afore Woods provides tremendous atramentous exchange acquaintance lenses, and excessive and lower strips of abundant faux lashes. A waist-grazing wig of down-covered platinum after-effects completes the transformation.
“I count on it’s gonna alteration me simply flippantly from day to night,” Woods says of the “form-removing” ’80s-technology Victorian fairytale bridesmaid dress that she tailored into one among her popular babydoll shapes and donned for the occasion. “It’s really my move-to contour because I like my shoulders. Plus, the brought quantity, the better! I appetite to attending like Princess Diana at her bells whenever I’m slicing a get dressed.” On her manner out the door, Woods pulls on a brace of watchband-embellished residences, a architecture that came to her in a dream. Offering up a “hoarders adviser to Glasgow,” Wood’s destination is Randall’s Antiques and Vintage Centre, a many years-vintage market. Spinning thru aisles, perching on bassinet lounges and acquisitive at clean baubles with a brace of rhinestone-dotted gloves, Woods looks appropriate at home. “How we get dressed, how we gift, the being we see aback we attending inside the mirror and why that being is altered than the being every body overseas sees—these are vital matters that without a doubt affect our brainy bloom and how we motion as a society,” says Woods, adding: “You’re alone atmosphere your self up for a abatement in case you booty yourself too significantly.”
Director: Posy DixonDirector of Photography: Henry LockyerVisual Director, Vogue.Com: Samantha Adler Producer, Vogue.Com: Kimberly ArmsSound: Matthew GroakCamera PA: Ewan GaffProduction Assistant: Nicola HenryDriver: James FergusonProduction: Liv Proctor, LucaEditor: Daniel PolerTitle Design: Jason DuzanskyAnimation: Rinaldi Parungao and Mango Motion DesignArchive: Damien Frost, Tristan Perez Martin, Cordova, Tiu Makkonen, Armin Morbach, TUSH mag, and Holly RevellWith thank you: Tom Joyce, Barrowland, Andy Randall, and Randall’s
Originally Appeared on Vogue
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